Raquel Welch

Award won Role or nomination

1. 1940 age 0

   Born

2. 1964 age 24

   CreditRoustabout

3. 1966 age 26

   CreditFantastic Voyage

   CreditSex Quartet

   CreditOne Million Years B.C.

4. 1967 age 27

   CreditBedazzled

   CreditThe Oldest Profession

5. 1968 age 28

   CreditBandolero!

   CreditLady in Cement

6. 1969 age 29

   Credit100 Rifles

   CreditThe Magic Christian

7. 1970 age 30

   CreditMyra Breckinridge

8. 1971 age 31

   CreditHannie Caulder

9. 1972 age 32

   CreditBluebeard

10. 1973 age 33

    CreditThe Last of Sheila

    CreditThe Three Musketeers

11. 1974 age 34

    CreditThe Four Musketeers

12. 1975 age 35

    CreditThe Wild Party

13. 1977 age 37

    CreditAnimal

    CreditThe Prince and the Pauper

14. 1987 age 47

    CreditRight to Die

15. 1993 age 53

    CreditTorch Song

16. 1994 age 54

    CreditNaked Gun 33⅓: The Final Insult

17. 2001 age 61

    CreditLegally Blonde

18. 2017 age 77

    CreditHow to Be a Latin Lover

19. 2023 age 82

    Died

• CLChristopher Lee4 titles
• SDSybil Danning4 titles
• OROliver Reed3 titles
• CHCharlton Heston3 titles
• GFGeorge MacDonald Fraser3 titles
• ASAlexander Salkind3 titles
• PSPierre Spengler3 titles
• EBEarl Boen2 titles
• ASAldo Sambrell2 titles
• NBNino Baragli2 titles

• Spouse

  • PCPatrick Curtis

• Children

  • TWTahnee Welch

Nothing recorded for: Partner, Parents, Siblings, Influenced by, Studied under, Taught.

• 
  Photo:John Mathew Smith & www.celebrity-photos.com from Laurel Maryland, USACC BY-SA 2.0
• 
  Photo:Unknown authorPublic domain
• 
  via TheTVDB

• Whatever my film work was, it was a departure from the sex symbol previously, who was blonde and more docile than the characters I portrayed as a sex symbol…I think it was a different role for women. Women watch other women, and they are affected by that.

  Raquel Welch, CC BY-SA 4.0

• A lot of times I would play a lot of roles a man would play…In One Million Years B.C.—yes, the costume was revealing. But I was outdoors all the time, I was fighting to survive, there was a girlfight. I was participating, it was physical, and I was independent. I wasn’t that pushover kind of a girl. And I think that left an impression.

  Raquel Welch, CC BY-SA 4.0

• It’s not that I wanted to go into the male mentality, but into the duality. There’s a duality in every man and every woman. And when you have a homosexual man who’s a movie critic and he wants to make himself into a woman who somehow resembles a film goddess, like the women in film from 1935-1945, and then you have to watch how she interacts with these young people who have know idea who they’re really dealing with. The film never could embrace the different layers of complications of what’s going on with Myra/Myron…

  Raquel Welch, CC BY-SA 4.0

• I was not brought up to be a sex symbol, nor is it in my nature to be one. The fact that I became one is probably the loveliest, most glamorous, and fortunate misunderstanding.

  Raquel Welch, CC BY-SA 4.0

• I wanted a storybook life, to be Rapunzel and Cinderella and Sleeping Beauty, all the beautiful ladies that wonderful men came along on their big white horses and dragged away. Which is not remarkable, a lot of kids grow up that way. But I decided it was gonna happen.

  Raquel Welch, CC BY-SA 4.0

• In high school I was Rocky, then after the equipment arrived, Hotrocks.

  Raquel Welch, CC BY-SA 4.0