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Overview

Pierre and Hanna Fabre move into their dream house with wonderful neighbors and an idyllic community. Their youngest child, Ludovic, identifies as a girl and wants to live as one, despite being assigned male at birth. One day, Ludovic befriends Jérôme, the son of Pierre's boss whose family lives across from the Fabres, and expresses a desire to marry him. When visiting Jérôme's house, Ludovic enters Jérôme's sister's bedroom and puts on one of her dresses, unaware that his parents were preserving the room after her death. Jérôme's mother finds Ludovic, and she and the rest of the neighbors are horrified. The community turns against Ludovic and, by extension, the rest of the Fabre family. After Ludovic stands in as Snow White in a school play, the rest of the parents collectively sign a petition to have Ludovic expelled. Pierre, under strain as an employee of Jérôme's father, is unable to cope and causes conflict within the family. Ludovic is assaulted by the boys on the soccer team in the locker room after a match. Her brother Jean tries to stop it, but is held back. Following a particularly bad argument, Ludovic attempts suicide by hiding in a freezer, but is found in time and allowed to wear a skirt to a neighborhood party. While the other neighbors greet Ludo warmly, Pierre is fired the next day and finds his house graffitied. Ludovic flees, distraught. Hanna blames Ludovic for all that has gone wrong. In order to set her child straight, she cuts Ludovic's hair short. Resentful of her mother, Ludovic goes to live with grandmother Élisabeth. When Ludovic and Élisabeth visit Pierre and Hanna one weekend, Pierre announces that he has a new job, but it is out of town and they have to move. At their new house, Ludovic is befriended by Chris (born Christine) Delvigne, a masculine child. Chris' mother invites Ludovic to Chris' dress-up birthday party, which Ludo attends in a musketeer outfit. Chris, unhappy in a princess outfit, asks Ludo to swap and has the other young party guests force Ludo to do so upon refusal. When Ludovic's mother sees them, she fears that their troubles are beginning again and lashes out by hitting Ludo until the other party guests restrain her. Hanna follows Ludovic to a billboard where she is shocked to see Ludo in the picture, running away with Pam, the Barbie-like protagonist. When she tries to follow her, she falls through the ground and awakens at home. She and Pierre assure Ludo that they will no longer try to control her gender expression. In turn, Ludo assures her mother that she never really intended to run away with Pam. Hanna, happy to see her, accepts Ludo's identity and says Ludo will always be her child.

Runtime
1 h 25 min
Released
1997-05-28, France
Countries
France, United Kingdom, Belgium
Original language
French

Release history

  1. France
  2. Worldwide
  3. Worldwide
  4. Worldwide
  5. Worldwide
  6. Worldwide
  7. United Kingdom
  8. Germany
  9. Worldwide
  10. Worldwide
  11. Brazil
  12. United States
  13. South Korea
  14. Worldwide
  15. Sweden
  16. Australia
  17. Finland
  18. Portugal

Cast and crew

14See all credits

Videos and photos

Photos

Production and reception

See all production notes

Production

Although internationally presented as a Belgian film because of the nationality of Berliner, its director and co-screenwriter, the film is an international co-production between companies in Belgium, the United Kingdom and France – the majority of the production work was done by the French independent film house Haut et Court and the shooting took place south of Paris, France, near the commune of Évry. The color timing in the film is significant: it changes as parents exit from the school play, switching to cold blue tones.

Reception

My Life in Pink received critical acclaim. On review aggregator website Rotten Tomatoes, it has a 92% approval score based on 25 reviews, with an average rating of 7.50/10. The consensus states: "My Life in Pink follows a child's exploration of their gender identity with warmth and empathy -- for its young protagonist as well as the family affected by their journey." The film has also received praise for centering the experience of a transgender child, instead of more dominant narratives like "an objectifying medical discourse that ignores the possibility of agency".

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