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Overview

Philip Winthrop (Mark Damon) travels to the House of Usher, a desolate mansion surrounded by a murky swamp, to see his fiancée Madeline Usher (Myrna Fahey). Madeline's brother Roderick (Vincent Price) opposes Philip's intentions, telling the young man that the Usher family is afflicted by a cursed bloodline which has driven all their ancestors to madness and even affected the mansion itself, causing the surrounding countryside to become desolate. Roderick foresees the family evils being propagated into future generations with a marriage to Madeline and vehemently discourages the union. Philip becomes increasingly desperate to take Madeline away; desperate to get away from her brother, she agrees to leave with him. During a heated argument with Roderick, Madeline suddenly falls into catalepsy, a condition in which its sufferers appear dead. Roderick knows that she is still alive, but convinces Philip that she is dead and rushes to have her entombed in the family crypt beneath the house. As Philip is preparing to leave following the entombment, the butler, Bristol (Harry Ellerbe), lets slip that Madeline suffered from catalepsy. Madeline revives inside her sealed coffin, goes insane from being buried alive, and breaks free. Philip rips open Madeline's coffin and finds it empty. He desperately searches for her in the winding secret passages of the house but eventually collapses. Madeline confronts Roderick and attacks him, throttling him to death. Suddenly the house, already aflame due to fallen coals from the fire, begins to collapse, and the two Ushers and Bristol are consumed by the falling house, ending the Usher bloodline. Philip alone escapes and watches the burning house sink into the swampy land surrounding it. The film ends with the final words of Poe's story: "... and the deep and dank tarn closed (sullenly and) silently over the fragments of the 'House of Usher'".

Runtime
1 h 19 min
Released
1960, Worldwide
Countries
United States
Original language
English

Release history

  1. Worldwide
  2. Worldwide

Cast and crew

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Production and reception

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Production

The film was important in the history of American International Pictures which up until then had specialized in making low budget black and white films to go out on double bills. The market for this kind of movie was in decline so AIP decided to gamble on making a larger budgeted film in color. The film was announced in February 1959 and was dubbed the company's "most ambitious film to date".

Reception

Eugene Archer, in the September 15, 1960 edition of The New York Times wrote, "American-International, with good intentions of presenting a faithful adaption of Edgar Allan Poe's classic tale of the macabre...blithely ignored the author's style. Poe's prose style, as notable for ellipsis as imagery, compressed or eliminated the expository passages habitual to nineteenth-century fiction and invited the readers' imaginations to participate."

  • Roderick Usher: Madeline and I are like figures of fine glass. The slightest touch and we may shatter. Both of us suffer from a morbid acuteness of the senses. Mine is the worst for having existed the longer, but both of…

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  • Philip Winthrop: [as the house starts to rumble] Don't you think that crack in the wall should be repaired?

    Roderick Usher: For future generations of Ushers?

    Philip Winthrop: For Madeline's safety.

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  • Philip Winthrop: While I was riding here I noticed a singular lack of vegetation, is there something wrong with the soil?

    Roderick Usher: The soil?

    Madeline Usher: Roderick please!

    Roderick Usher: [looking at Madeline]…

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  • Philip Winthrop: Would you permit me to light a candle so that...?

    Roderick Usher: I think you had better leave, Mr. Winthrop.

    Philip Winthrop: I think you need some light in this house, Mr. Usher.

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  • Philip Winthrop: How long have you been with the Ushers?

    Bristol: Sixty years, sir.

    Philip Winthrop: Sixty years?

    Bristol: Since I was a boy.…

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  • Philip Winthrop: [as the house starts to rumble] How long has that been going on?

    Bristol: So long I'm hardly aware of it anymore. It's just the settling of the house.

    Philip Winthrop: That settling could cause this…

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