
Overview
See production notesOn V-J Day in 1945, a celebration in a New York City nightclub is underway, with music provided by the Tommy Dorsey Orchestra. Selfish and smooth-talking saxophone player Jimmy Doyle pesters small-time USO singer Francine Evans for her phone number, but she wants nothing to do with him. The next morning, Francine and Jimmy end up sharing a cab and, against her will, Francine accompanies Jimmy to an audition, at which he argues with the club owner. In an attempt to get the audition back on track, Francine begins to sing the old standard "You Brought a New Kind of Love to Me". Jimmy joins in on his sax. The club owner is impressed and, to Francine's astonishment, they are both offered a job as a boy–girl act in a club. But the next morning Jimmy receives a message from Francine telling him that she's left to join a traveling orchestra. He catches up with her and joins the orchestra as well, which he eventually takes over as his own when the conductor retires. From that moment, Jimmy and Francine's relationship deepens into a mix of obsession and love. But there are problems—mainly, Jimmy's tendency to fight with his co-workers, his overly dramatic behavior, and his increasingly violent arguments with Francine, who becomes pregnant with their child. An especially harsh shouting match between them results in Francine going into labor. Jimmy rushes her to the hospital, where she delivers a boy. However, Jimmy is not ready to be a father or a good husband, so he abandons his wife and declines to see his newborn son as he leaves the hospital. Several years later, in a recording studio, Francine records "But the World Goes Round," a powerful anthem that makes the charts and helps her become a popular entertainment figure. In the years that follow, Jimmy and Francine both find success in the music industry; he becomes a renowned jazz musician and club owner, while she becomes a successful singer and film actress. Jimmy records a saxophone version of a self-written song, "New York, New York," and it tops the jazz charts. One night, he goes to see Francine perform in the nightclub where they had first met, years earlier; Francine's performance of "New York, New York," for which she has provided lyrics, is received by a wildly appreciative audience. After the show, Jimmy and Francine have a brief, awkward reunion, and then Jimmy leaves, spending a few moments with his and Francine's young son on the way out of the club. Shortly thereafter Jimmy telephones his ex-wife from a pay phone in the street, suggesting she join him for dinner. Francine says yes, but as she heads toward the stage-door exit, she changes her mind and leaves the club via another route. Jimmy, waiting on the sidewalk, realizes that he has been stood up and walks down the street.
- Countries
- United States
- Original language
- English
Cast
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Quotes
See all quotesJimmy: I know you from some place. Francine: No. Jimmy: You don't remember me? Francine: No. Jimmy: You don't remember we met a few years ago? It was at a party or a dance. We had a long conversation. You can't remember that? Francine: No. Jimmy: I just want to explain to you, first of all, my parents are over there, my mother and father, my brother and sister. So I got to see them because I just was two years in the service, you know, so they haven't see me. Now, I want to get your phone number so I can tell you tomorrow about what I was thinking about. There's something very, very important I've got to talk to you about. Francine: No. Jimmy: No what? No what? Francine: No. Jimmy: No? Francine: No. Jimmy: No, no, no. You don't understand. Give me your number. You got a pencil or something? Francine: No. Jimmy: All right. I have a photographic memory. Just give me your number, and I'll remember it. Francine: No. Jimmy: Yes. Francine: No. Jimmy: Yes. Francine: No. Jimmy: Can I meet you
New York, New York (film), CC BY-SA 4.0
Jimmy: I guess a little small talk's in order here now. Francine: Can it get any smaller? Jimmy: Now look I can take a hint. Francine: Can you also take a walk? Jimmy: Do you want me to leave? Francine: YES! Jimmy: I'll leave right now. Francine: BYE! Jimmy: You expect me to leave after the way you just talked to me? Francine: Will you go away? Jimmy: I don't want to, I want to stay here and annoy you.
New York, New York (film), CC BY-SA 4.0
Francine: What's the Theory of Relativity, that light is curved? Jimmy: I don't know. Francine: They say that only five people in the whole world, you know, know really what it's about. Jimmy: Well, the Japs understand, from what I know.
New York, New York (film), CC BY-SA 4.0
Jimmy: You're an agent? Tony Harwell: I reiterate, yes. Jimmy: If I went down there, would you be my agent? Tony Harwell: No. Jimmy: Why not? Tony Harwell: I ain't interested. I'm satisfied with the list of clients I got now. Jimmy: You're makin' a mistake, but okay, you know. Tony Harwell: I made a lot of mistakes. So I'll make another one. This one's on me.
New York, New York (film), CC BY-SA 4.0
Jimmy: Let me ask you something. You got any other advice for me? Tony Harwell: Yes. Stay off the junk, and you'll go far. Jimmy: Fine. Thanks a lot. Swell of you to say that.
New York, New York (film), CC BY-SA 4.0
Frankie Harte: Jay, will you please? It's slippery out there. We don't want to slide into town, we want to drive in. Driver: Leave me alone. I'm tryin' to take a nap.
New York, New York (film), CC BY-SA 4.0
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