Gods and Monsters

In the 1950s, James Whale, the director of Frankenstein and Bride of Frankenstein, has retired. Whale lives with his long-time housemaid, Hanna, who loyally cares for him but disapproves of his homosexuality. He has suffered a series of strokes that have left him fragile and tormented by memories: growing up as a poor outcast, his tragic World War I service, and the filming of Bride of Frankenstein. Whale slips into his past and indulges in his fantasies, reminiscing about gay pool parties and sexually teasing a slightly embarrassed, starstruck fan. He battles depression, and at times contemplates suicide, as he realizes his life, his attractiveness, and his health are slipping away. Whale befriends his young, handsome gardener, Clayton Boone, and the two begin a sometimes uneasy friendship as Boone poses for Whale's sketches. The two men bond while discussing their lives and dealing with Whale's spells of disorientation and weakness from the strokes. Boone, impressed with Whale's fame, watches Bride of Frankenstein on television as his friends mock the movie, his friendship with Whale, and Whale's intentions. Boone assures Whale that he is straight and receives Whale's assurance that there is no sexual interest, but Boone storms out when Whale graphically discusses his sexual history. Boone later returns with the agreement that no such "locker room" discussions occur again. Boone is invited to escort Whale to a party hosted by George Cukor for Princess Margaret. There, a photo op has been arranged for Whale with "his Monsters": Boris Karloff and Elsa Lanchester from "ancient" movie fame. This event exacerbates Whale's depression. A sudden rainstorm becomes an excuse to leave. Back at Whale's home, Boone needs a dry change of clothes. Whale can only find a sweater, so Boone wears a towel wrapped around his waist. Whale decides to try to sketch Boone one more time. After some minutes, he shows his sketches to Boone, disclosing that he has lost his ability to draw. To cheer him up, Boone drops his towel to pose nude. Whale makes him wear a World War I gas mask and then uses the opportunity to make a sexual advance on Boone, kissing his shoulder and neck, and forcefully reaches for his genitals. An enraged Boone fights off Whale, who confesses he had planned this because he wanted Boone to kill him and relieve him of his suffering. Boone refuses, puts Whale to bed, then sleeps downstairs. The next morning, Hanna is alarmed when she cannot find Whale, prompting a search by Boone and Hanna. Boone finds Whale floating dead in the pool as a distraught Hanna runs out, clutching a suicide note. Boone and Hanna agree that he should disappear from the scene to avoid a scandal. A decade later, Boone and his son, Michael, watch Bride of Frankenstein on television. Michael is skeptical of his father's claim that he knew Whale, but Boone produces a sketch of the Frankenstein monster drawn by Whale, and signed, "To Clayton. Friend?". Boone later walks down a street at night in the rain, miming the movements of Frankenstein's monster.

Plot from Gods and Monsters (film)CC BY-SA 4.0