Quotes

Dialogue

Mary Jane Watson: Tell me again. Was I really good? I was so nervous, my knees were shaking. Peter: Your knees were fine. Mary Jane: The applause wasn't very loud. Peter: Yes, it was. Well, it's the acoustics. It's all about diffusion. It keeps the sound waves from grouping. You see when the sound waves, they propogate, then it– M.J.: You are such a nerd.

Dialogue

Emma Marko: You can't hide here, Flint. Flint Marko: I'm just here to see my daughter. Emma Marko: You're an escaped convict. The cops are looking for you. You're not getting near her. You're nothing, but a...convict thief. You maybe even killed a man? Flint Marko: It wasn't like that. Wasn't. I had a good reason for what I was doing. And that's the truth. Emma Marko: You and the truth, sitting in prison, having three meals a day together. I live in the presence of great truth, and that is the truth that you left behind right there in that bedroom. [Their daughter Penny walks out of her bedroom; Flint walks up to her.] Flint: Penny, I missed you. Penny Marko: I miss you too, Daddy. Flint Marko: I promise I'll make you healthy again. Whatever it takes, I'll get the money. Emma: You get out of here now. Flint: [exits through the window] I'm not a bad person. I just had bad luck.

Dialogue

Peter: Harry. Harry: You knew this was coming, Pete. [tries to punch at Peter, who quickly moves out of the way, and gets his arm stuck in the wall] Peter: Listen to me! I didn't kill your father! [quickly avoids another punch from Harry] He was trying to kill me! He killed himself! Harry: [yells] SHUT UP!

Dialogue

Eddie Brock: Oh my gosh. That's Gwen. Captain Stacy: What? [takes the camera from Eddie, and sees his daughter] What's she doing up there? Eddie: I don't know. I just saw her last night. She said she had a modeling gig. Captain Stacy: Who are you? Brock: It's Brock, sir. Edward Brock Jr. I work at Daily Bugle, and I'm, uh, dating your daughter.

Dialogue

Jameson: [grows impatient with Hoffman proposing a new slogan for the Daily Bugle] Get on with it, you moron! [the buzzer on his intercom blares loudly] What?! Brant: Your blood pressure, Mr. Jameson. Your wife told me to tell you to watch the anger. Jameson: [furiously] YOU TELL MY WIFE...! [calmly; pushes his intercom] Thank you.

Dialogue

Jameson: [To Eddie] You want a staff job, [to Peter] you want a staff job. Doesn't anybody care about what I want? Hoffman: [briefly entering] I do. Jameson: Shut up. Get out. I want the public to see Spider-Man for the two-bit criminal he really is. He's a fake, he's full of sticcum. Catch him in the act; Spider-Man with his hand in a cookie jar. Whoever brings me that photo gets a job. Well, what are you waiting for? Chinese New Year? Go, go, go! Eddie: I'm on it, boss! Peter: [after they both leave Jameson's office] You'll never get that shot. Eddie: Oh, we'll see.

Dialogue

Peter: Okay, I'm fine. I-I don't need your help. M.J.: Everybody needs help sometimes, Peter, even Spider-Man.

Dialogue

Peter: What do you think? Dr. Connors: I've never seen anything like it. I'm a physicist, not a biologist, but I'll look at it in the morning and run some tests. Peter: Can we do that now? Connors: [The specimen being looked at escapes and starts moving towards Peter who, surprised, traps it in a glass] Seems to like you. Don't let any of that get on you. Peter: Why not? Connors: It has the characteristics of a symbiote, which needs to bond to a host to survive. And sometimes, these things in nature, when they bind, they can be hard to unbind.

Dialogue

Eddie: Whoa. Buddy, love the new outfit. This is exactly what I need to scoop Parker. Give me uh...give me some of that web action. [Spider-Man's web swing crushes Eddie's camera] Spider-Man: See ya, chump. [jumps into sewers to face Sandman] Eddie: What the hell?! [gets another camera from his coat, taking photos, as police arrives]

Dialogue

[while fighting Sandman in the sewers] IT'S TIME TO PAY, MARKO!!

Dialogue

Mr. Ditkovich: Rent! Peter: Not now. Mr. Ditkovich: This is a free country, not a rent-free country. Peter: [heads to the door] Leave me alone. Mr. Ditkovich: Just give me rent. Peter: [angrily] You'll get your rent when you fix this DAMN DOOR! Ursula: That wasn't cool. Mr. Ditkovich: He's a good boy. He must be in some kind of trouble.

Dialogue

Green Goblin: Harry. Remember me? Harry Osborn: Yes, Father. I remember. Green Goblin: I was right about her. About Peter. About everything. Green Goblin: [offscreen] You know what you must do. Make him suffer. Make him wish he were dead. FIRST, WE ATTACK HIS HEART!

Dialogue

Mr. Ditkovich: Having trouble with the phone? Peter: No, no. I was just trying to figure out what to say. Mr. Ditkovich: If it is woman you are calling then you say "You are a good woman. I am good man." Hm?

Dialogue

Harry: [when dark Peter arrives at his mansion] Would you like a drink? Tsk, I'm sorry. What was I thinking? Bad for the public image, right, Mr. Key to the City? Peter: What did you do to her? Harry: I did what you failed to do. I was there for her. Mary Jane and I, we understand each other. Peter: She doesn't know what you are. Harry: Peter, she knows me very well. And when she kissed me, it was just like she used to kiss me. The taste... [sucks in, rolls fingertips over his lips] ...Strawberries. Harry: How ya like that, Spidey? Peter: That all you got?

Dialogue

Eddie: [to dark Peter, during his promotion party in his staff position] Well, good morning. It's a beautiful day, huh? What was that you said? I'd never get that picture? [points to his picture of Spider-Man robbing a bank] There's your hero. Peter: Huh. I never thought he'd really do that! Eddie: See? Right there. You made a judgment call. You gotta see it as it is. Peter: It's funny you should say that, because I was looking through some old photos and it looks very, uh... [straightens his collar] similar. Eddie: [chuckling] Okay. Well, I gotta get back to work. Peter: You're trash, Brock. Eddie: Excuse me? Peter: [hurling original picture with Brock's re-edit] Your picture's a fake. Eddie: Parker, you are such a boy scout. When are you gonna give a guy a break? Peter: [angrily shoves him against the picture shattering the glass which attracts the attention of everyone in the room] You want forgiveness? Get religion. Robbie Robertson: What's going on here? Betty Brant: Are you guys

Dialogue

Betty: Your shots are so good. Peter: I'd love to shoot you sometime. Brant: [aroused] Peter Parker. Peter... Jameson: Parker! Miss Brant, that's not the position I hired you for. Robertson: [drops some Spider-Man photos on the table] Black-suit Spider-Man. Peter, these are incredible! We gotta have these, Jonah. Jameson: I'll pay you the usual rate. Peter: If you want the shots, I'll take the staff job. Double the money.

Dialogue

Jazz Club Manager: Are you alright, Mary Jane? M.J.: I'm fine. Jazz Club Manager: Okay. Peter: Hey. M.J.: What's wrong with you? Peter Parker: You. Jazz Club Manager: Can I help you, sir? Peter: No. Jazz Club Bouncer: Everything okay here, Paul? Peter: Yeah, everything okay here, Paul? Manager: Take him out of here. Bouncer: [grabs Peter's shoulder] Let's go, sir. Peter: Take your hand off me. Jazz Club Bouncer: [grabs Peter's arm] Now. M.J.: [grabs Peter's arm] PETER, STOP IT! M.J.: [tearfully] Who are you? Peter: [shocked] I don't know.

Dialogue

It's Brock, sir. Edward Brock Jr. I come here today. Humbled, and humiliated, to ask you for just one thing. [a pause; looks up at the model of Jesus on the Cross, his tear sheds out of his eye] I want you to kill Peter Parker. Parker?

Dialogue

Flint: [grabs Venom in mid-swing, thinking he's Spider-Man] End of the line, Spider-Man. [Venom screeches in his face; Flint sees it's not Spider-Man, tosses him aside] Venom: I want him dead too, Flint. That's why I've been looking for you. Oh yeah, I know all about you. Like the fact that Spider-Man... [reveals his identity] ...Won't let you help your poor daughter. That just doesn't seem right to me. Look, I want to kill the Spider, you want to kill the Spider... together, he doesn't stand a chance. [turns back into Venom] Interested? Flint: Yeah.

Dialogue

So, where to? [uses Venom's arm to place against MJ's face upon kidnapping her]

Dialogue

Spider-Man: Harry, I need your help. I can't take them both, not by myself. Harry: [shows disfiguration on half of his face] You don't deserve my help. Spider-Man: Harry, she needs us. Harry: Get out. Bernard: [to Harry, upon his refusal to aid Peter] If I may, sir. I've seen things in this house I've never spoke of. Harry: What are you trying to tell me? Bernard: The night your father died, I... I cleaned his wound. The blade that pierced his body came from his Glider. I-I know you're trying to defend your father's honor, but there is no question that he died by his own hand. I loved your father, as I've loved you, Harry. As your friends love you.

Dialogue

Mary Jane: Peter! They're gonna kill us both. Spider-Man: I'm gonna get you out of this. Mary Jane: Watch out!! Eddie Brock: Hey, Parker. Spider-Man: My God, Eddie! Eddie Brock: Ooh, my Spider-Sense's tingling. [grabbing Mary Jane] If you know what I'm talking about. [knocks Spider-Man down into a black web and binds his wrists to it] Peter Parker: We can find a way to settle this. Eddie Brock: You're so right. I'm thinking humiliation. Kinda like how you humiliated me. Do you remember? Do you remember what you did to me? You made me lose my girl. Now I'm gonna make you lose yours. How's that sound, tiger?

Dialogue

Spider-Man: You came. Harry Osborn: Looks like just in the nick of time. Spider-Man: A couple minutes ago wouldn't have been so bad either. Harry Osborn: What're you gonna do? Spider-Man: I may need some help over here. Harry Osborn: I'm a little busy right now! [Venom and Sandman began to attack] Give me your hand!

Dialogue

Jameson: [witnessing the battle between Spider-Man, Venom, Sandman and Goblin; searching for Parker] Parker! Parker, where–? I need a photographer. [notices a little girl with a camera beside him] Hey kid, want a job? Little Girl: Why would I want a job? I'm just a kid. Jameson: Alright, how much for the camera? Little Girl: $100! Jameson: $100?! Alright, you little crook, here. [buys the little girl's camera, gives his money to her and clicks the camera, but it doesn't seem to work] What the–? [opens the camera to find that there's no film in it, and looks back at the little girl] Little Girl: The film's extra. [Jameson reaches for his wallet and snarls at her.]

Dialogue

Eddie Brock: Never wound... [Eddie's face revealed] what you can't kill. Peter: Eddie, the suit! You gotta take it off! Eddie Brock: Oh, you'd like that, wouldn't you? Peter: I know what it feels like. It feels good, the power, everything, but you'll lose yourself. Let it go. Eddie Brock: I like being bad. It makes me happy. [The suit covers his face at once, as he prepares to deliver a fatal blow]

Dialogue

[after Harry jumps in front of his own glider Venom uses to kill him and gets impaled] HARRY!!!

Dialogue

Eddie Brock: Peter! What are you doing?! [Peter hurls the pumpkin grenade at the symbiote, much to Eddie's horror] NO! [Eddie jumps in to save the symbiote] Peter Parker: EDDIE!!! [Runs to stop Eddie, but the pumpkin grenade explodes, killing Eddie and destroying the symbiote] Mary Jane: Harry. Harry: Mary Jane. Mary Jane: I'm gonna get help. Harry: No. Stay. Sandman: [To Peter, after discovering he's Spider-Man] I didn't want this. But I had no choice. Peter Parker: [glares] We always have a choice. You had a choice when you killed my uncle. Sandman: My daughter was dying. I needed money. I was scared. I told your uncle all I wanted was the car. And he said to me, "Why don't you just put down the gun and go home?" I realize now he was just trying to help me. Then I saw my partner running over with the cash, and the gun was in my hand. Did a terrible thing to you. I spent a lot of nights wishing I could take it back. I'm not asking you to forgive me. I just want you to understand. Pete

Dialogue

[narrating] Whatever comes our way... whatever battle is raging inside us, we always have a choice. My friend Harry taught me that. He chose to be the best of himself. It's the choices that make us what we are... and we can always choose to do what's right.

Editor's Cut

Harry: What took you so long? [turns to find Peter just casually chilling on the couch] Peter: That was quite a performance today. Harry: [chuckles] Well, it wasn't all a show. She did come to me. Peter: [rises up from the couch] Oh, yeah, I got the story. I'm really gonna enjoy this. Harry: Not as much as I enjoyed it when Mary Jane kissed me.

Editor's Cut

[watches his daughter walk away with her mother from a park] I promise you. He won't stop me again.

Editor's Cut

Peter: Ursula, hey, listen, about earlier... Ursula: Don't worry about it, you're a good boy. Peter: Thanks.