Quotes

Other

[referring to her working relationship with Wally Fenton] We work together very well. It's almost as like we have one brain that we share between us.

Other

To do then now would be retro. To do then then was very now-tro, if you will.

Dialogue

Lawrence E. Turpin: Alright, here's your giant banjo... Jonathan Steinbloom: Um-hmm. It's very flat. Lawrence E. Turpin: Well, it doesn't look flat from in the audience. Jonathan Steinbloom: It has basically, no dimension to it. Lawrence E. Turpin: Well, it's painted to look three dimensional. If you go back there, trust me... Jonathan Steinbloom: But it's not painted on the back. I'm looking ot the back right now. Will you look with me for a minute? Lawrence E. Turpin: Why would it be... From the audience it's gonna look perfectly fine. And It looks three dimensional. Just go out there and take a peek. Jonathan Steinbloom: Well, is this the real furniture or is this the rehearsal furniture? Lawrence E. Turpin: Well, A it's not called furniture. It's a set. Jonathan Steinbloom: Uh-huhh... Lawrence E. Turpin: And it's painted this way. It looks completely three dimensional from the audience, if you just go out that way, Mr. Steinbloom. Jonathan Steinbloom: So this is the real furniture,

Dialogue

Leonard Crabbe: I'm a model train enthusiast. Amber Cole: Oh! That's great! Leonard Crabbe: Yes... sort of a whole layout in my basement. Very much a big passion for me, 'tis. Amber Cole: Yeah. Thank God for model trains. Leonard Crabbe: Oh, absolutely. Amber Cole: You know, if they didn't have the model train, they wouldn't have gotten the idea for the big trains.

Dialogue

Leonard Crabbe: [Leonard shows Mitch his model trains] This whole area here is called Crabbe Town. We've got a brothel down there above the saloon. And right down there further along I'm thinking of building a French Quarter. I've actually got a bit of French blood. Mitch Cohen: I would love to see this town in the autumn. I think Crabbeville in autumn would look quite magnificent. I would have made tiny little leaves, oak, poplar, maple, chestnut, and spread them across the town of Crabbe...ville. Magnificent. Leonard Crabbe: It's Crabbe Town, not Crabbeville.

Dialogue

Alan Barrows: And they had no hole in the center of the record. Mark Shubb: It would teeter crazily on the little spindle. Jerry Palter: No, you had to provide it yourself. They were still good records. Good product. Mark Shubb: If you punched a hole in them, you'd have a good time.

Dialogue

Jerry Palter: Things have been going really well. We got some gigs here, working at the casinos. It has been a time of changes, but change is good. Change is life. Mark Shubb: It was like a great big door opening for me... Town Hall... after that concert, I realized I wanted to spend as much of the rest of my life as possible playing folk music with these gentlemen... Jerry Palter: Right back atcha. Mark Shubb: ...and I wanted to spend all of it as a woman. I came to a realization that I was - and am - a blonde, female folk singer trapped in the body of a bald, male folk singer and I had to LET ME OUT or I WOULD DIE. Jerry Palter: When you put it that way, it's almost poetry. Alan Barrows: Almost.