Quotes

Dialogue

Mrs. Vale: Dr. Jaquith has a sanitarium in Vermont, I believe. Probably one of those places with a high wire fence and yowling inmates. Dr. Jaquith: Well, now, I wouldn't want anyone to have that mistaken notion. Cascade is just a place in the country. People come to it when they're tired. You go to the seashore. They come there. Mrs. Vale: The very word "psychiatry," Dr. Jaquith. Doesn't it fill you with shame, my daughter, a member of our family? Dr. Jaquith: There's nothing shameful about my work or frightening or anything else. It's very simple, really, what I try to do. People come to a fork in the road. They're confused. They don't know which way to take. I just put up a signpost: "Not that way. This way."

Dialogue

Dr. Jaquith: There's nothing like these old Boston homes anywhere. Here on Marlborough Street or Beacon Hill, you see them standing in a row like bastions. Firm, proud, resisting the new. Houses turned in upon themselves, hugging their pride. Charlotte: Introverted, doctor. Dr. Jaquith: Well, I wouldn't know about that. I don't put much faith in scientific terms. I leave that to the fakirs and writers of books.

Dialogue

Dr. Jaquith: My dear Mrs. Vale, if you had deliberately and maliciously planned to destroy your daughter's life, you couldn't have done it more completely. Mrs. Vale: How? By having exercised a mother's rights? Dr. Jaquith: A mother's rights? Twaddle. A child has rights. A person has rights to discover her own mistakes, to make her own way, to grow and blossom in her own particular soil. Mrs. Vale: Are we getting into botany, Doctor? Are we flowers?

Dialogue

Jerry: [pointing at Charlotte in the picture] Who's the fat lady with the heavy brows and all the hair? Charlotte: A spinster Aunt. Jerry: Where are you? Taking the picture? Charlotte: I'm the fat lady with the heavy brows and all the hair. I'm poor Aunt Charlotte, and I've been ill. I've been in a sanitarium for three months, and I'm not well yet. [She breaks down in tears] Forgive me. Jerry: Feeling better? Charlotte: Much. Thanks to you. Oh, many, many thanks to you. Jerry: Thanks for what? Charlotte: Oh, for sharing my carriage today and for walking my legs off sight-seeing. And for lunch and for shopping, and for helping me feel that there were a few moments when I - when I almost felt alive. Thank you. Jerry: Thank you who? Charlotte: Thank you, Jerry.

Dialogue

Jerry: [as Charlotte tries to leave] Please, don't yet. Charlotte: Well, I'm not going to struggle with you. Jerry: That's right. No telling what sort of primitive instincts you might arouse. Isn't it beautiful? [He puts two cigarettes in his mouth, lights them both and then hands one to Charlotte.] Do you believe in immortality? Charlotte: I don't know. Do you? Jerry: I want to believe that there's a chance for such happiness to be carried on somehow somewhere. Charlotte: Are you so happy then? Jerry: Close to it. Getting warmer and warmer as we used to say as kids. Remember? Charlotte: Look out or you'll get burned we used to say. Jerry: Are you afraid of getting burnt if you get too close to happiness? Charlotte: Mercy, no. I'm immune to happiness and therefore to burns. Jerry: You weren't immune that night on the mountain. Charlotte: Do you call that happiness? Jerry: Only a small part. There are other kinds. Charlotte: Such as? Jerry: Having fun together, getting a kick out of sim

Dialogue

Charlotte: I hate goodbyes. Jerry: They don't matter. It's what's gone before. Charlotte: No, it's what can't go after. Jerry: We may see each other - sometime. Charlotte: No, we promised. We are both to go home. Jerry: Will it help you to know I'll miss you every moment? Charlotte: So will I, Jerry, so will I. Goodbye.

Dialogue

Charlotte: Mother, I don't want to be disagreeable or unkind. I've come home to live with you again here in the same house. But it can't be in the same way. I've been living my own life, making my own decisions for a long while now. It's impossible to go back to being treated like a child again. I don't think I'll do anything of importance that will displease you. But Mother, from now on, you must give me complete freedom, including deciding what I wear, where I sleep, what I read... Mrs. Vale: Where did you get that dress? Charlotte: Lisa and I bought it in New York today. Mrs. Vale: It's outrageous. Where's the black-and-white foulard? Charlotte: I gave it to Miss Till. She was so grateful. Mother, please be fair and meet me halfway. Mrs. Vale: They told me before you were born that my recompense to having a late child was the comfort the child would be to me in my old age, especially if she was a girl. And on your first day home after six months' absence, you behave like this.

Dialogue

Charlotte: Oh. Mother, I want to ask you something. When Father set up the trust for the two boys, why didn't he make one for me too? Mrs. Vale: Because you were a mere child and he wisely left your affairs to my own better judgment. I'm sure you've always had everything in the world you want. Charlotte: I haven't had independence. Mrs. Vale: That's it. That's what I want to talk about. Independence. To buy what you choose, to wear what you choose, sleep where you choose, independence. That's what you mean by it, isn't it? Charlotte: Dr. Jaquith says that independence is reliance upon one's own will and judgment. Mrs. Vale: I make the decisions here, Charlotte. I'm willing you should occupy your own room until I dismiss the nurse. She will occupy your father's room for the time being, and will perform a daughter's duties as well as a nurse's. That will give you a good chance to think over what I've said. I'm very glad to give a devoted daughter a home under my roof, and pay all her exp

Dialogue

Charlotte: Mother, Elliott and I have broken our engagement. Mrs. Vale: What did you say? Charlotte: I said, Elliott and I have broken our engagement. Mrs. Vale: Why have you done that? Charlotte: Because I don't love him. Mrs. Vale: Have you no sense of obligation to your family or to me? Here you have the chance to join our name Vale with one of the finest families in the city, Livingston, and you come in here and tell me that you're not in love? You're behaving like a romantic girl of eighteen. Charlotte: I don't doubt it. Mrs. Vale: And what do you intend to do with your life? Charlotte: Get a cat and a parrot and live alone in single blessedness. Mrs. Vale: Stop rocking! You've never done anything to make your mother proud or to make yourself proud either. Why, I should think you'd be ashamed to be born and live all your life as Charlotte Vale. Miss Charlotte Vale. Charlotte: Dr. Jaquith says that tyranny is sometimes an expression of the maternal instinct. If that's a mother's lo

Dialogue

Tina: I'm ugly and nobody likes me...I'm not pretty in the least. You know I'm not. Charlotte: Well, whoever wants that kind of prettiness, Tina? There's something else you can have if you earn it. A kind of beauty. Tina: What kind? Charlotte: Something that has nothing to do with your face. A light shines from inside you because you're a nice person. You think about it. Someday, you'll know I'm right. Tina: Will they like me then? Charlotte: Who are they? Tina: Everybody. All the kids at school, Miss Trask, and the nurses and the doctors. Oh, there must be something awfully wrong with me. Charlotte: Do you like them, Tina? The kids at school, and Miss Trask and the nurses and the doctors? Tina: No. I hate them. Charlotte: Shhh. That's something else you've got to grow up with. If you want people to like you, you've got to like people. Charlotte: Because somebody was good to me once when I needed somebody.

Dialogue

Jerry: I can't go on forever taking, taking, taking from you and, and giving nothing, darling. Charlotte: Oh, I see. Forgive me, Jerry, it's your pride, isn't it? Let me explain. You will be giving. Don't you know that to take is sometimes a way to give - the most beautiful way in the world if two people love each other. You'll be giving me Tina, every single day I'll be taking and you'll be giving. Jerry: It's very kind of you to put it that way.

Dialogue

Charlotte: Some man who'll make me happy? Oh, so that's it. So that's it. Well, I've certainly made a great mistake. Here I have been laboring under the delusion that you and I were so in sympathy, so one, that you'd know without being asked what would make me happy. And you come up here to talk about some man. Apparently, you haven't the slightest conception of what torture it is to love a man and to be shut out, barred out, to be always an outsider, an extra. Jerry: Charlotte, let me... Charlotte: Why, when Tina said she wanted to come home and stay with me, well, it was like a miracle happening. Like having your child, a part of you. And I even allowed myself to indulge in the fantasy that both of us loving her and doing what was best for her together would make her seem actually like our child after a while. But I see no such fantasy has occurred to you. Again, I've been just a big sentimental fool. It's a tendency I have. Jerry: Wait a minute. I was afraid you were keeping Tina ou