Sergei Prokofiev
- composer
- pianist
- conductor
- musicologist
- choreographer
- film score composer
- author
- librettist
- chess player
- Born 1891-04-11
- Died 1953-03-05 (aged 61)
- Nationality Russian Empire, Soviet Union
Biography
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Known for
Filmography
See full filmography| Role | ||||
|---|---|---|---|---|
| 1997 | Anna Karenina | Movie | composer | 61 |
| 1979 | Caligula | Movie | composer | 61 |
| 1975 | Love and Death | Movie | composer | 61 |
| 1938 | Alexander Nevsky | Movie | composer | 47 |
| 1925 | Strike | Movie | composer | 34 |
Career timeline
Award won Role or nomination
1891 age 0
Born1925 age 34
1938 age 47
1953 age 61
Died1975 age 61
1979 age 61
1997 age 61
Worked with most
Family and influences
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Photos
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Quotes
Formalism is music that people don’t understand at first hearing.
Sergei Prokofiev, CC BY-SA 4.0
This is my best work, but only because The Flaming Angel is my greatest.
Sergei Prokofiev, CC BY-SA 4.0
My chief virtue (or if you like, defect) has been a tireless lifelong search for an original, individual musical idiom. I detest imitation, I detest hackneyed devices.
Sergei Prokofiev, CC BY-SA 4.0
The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful
Sergei Prokofiev, CC BY-SA 4.0
It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.
Sergei Prokofiev, CC BY-SA 4.0
The time is past when music was written for a handful of aesthetes. Today vast crowds of people have come face to face with serious music and are waiting with eager impatience. Composers, take heed of this…But this does not mean that you must pander to this audience. Pandering always has an element of insincerity about it and nothing good ever came of that.
Sergei Prokofiev, CC BY-SA 4.0
TV appearances
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Facts
- Nationalities
- Russian Empire, Soviet Union
- Cause of death
- cerebral hemorrhage
- Languages
- Russian
- Instruments
- piano
- Genres
- opera, symphony, ballet, classical music
- Notable works
- Symphony No. 1, Symphony No. 4, Symphony No. 2, The Love for Three Oranges, Peter and the Wolf
- Education
- Saint Petersburg Conservatory