Gilbert Taylor
- cinematographer
- Born 1914-04-12
- Died 2013-08-23 (aged 99)
- Nationality United Kingdom
Biography
Nothing here yet
Known for
Filmography
See full filmography- 1980Flash GordoncinematographerMovie
age 66 - 1977Star Wars: Episode IV – A New HopecinematographerMovie
age 63 - 1976The OmencinematographerMovie
age 62 - 1972FrenzycinematographerMovie
age 58 - 1965RepulsioncinematographerMovie
age 51 - 1964A Hard Day's NightcinematographerMovie
age 50 - 1964Dr. StrangelovecinematographerMovie
age 50
| Role | ||||
|---|---|---|---|---|
| 1980 | Flash Gordon | Movie | cinematographer | 66 |
| 1977 | Star Wars: Episode IV – A New Hope | Movie | cinematographer | 63 |
| 1976 | The Omen | Movie | cinematographer | 62 |
| 1972 | Frenzy | Movie | cinematographer | 58 |
| 1965 | Repulsion | Movie | cinematographer | 51 |
| 1964 | A Hard Day's Night | Movie | cinematographer | 50 |
| 1964 | Dr. Strangelove | Movie | cinematographer | 50 |
Career timeline
Award won Role or nomination
1914 age 0
Born1964 age 50
1965 age 51
1972 age 58
1976 age 62
1977 age 63
1980 age 66
2013 age 99
Died
Worked with most
Family and influences
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Photos
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Quotes
[Photographing nighttime bombing raids over Germany] This was requested by Winston Churchill, and my material was delivered to 10 Downing Street for him to view. He was keen for the public to see what our lads were doing. I did 10 of those operations, including raids on Cologne and Dresden.
Gilbert Taylor, CC BY-SA 4.0
[The scene in A Hard Day's Nigh (1964)] featuring female fans shot with multiple cameras using a 10:1 zoom lens] There was very little lighting of any sort, as the authorities would not allow us to control the [Crowcrombe train] station in any way. [...] We also had a very limited budget and couldn't afford generators, so any fill was coming from a small, handheld, battery-powered lamp. They wouldn’t have let us bring generators or cables onto the platform anyway.
Gilbert Taylor, CC BY-SA 4.0
[[Dr. Strangelove|[Dr.] Strangelove]] was at the time a unique experience because the lighting was to be incorporated in the sets, with little or no other light used.
Gilbert Taylor, CC BY-SA 4.0
I was delighted to be asked to work with Polanski, and I turned down a Bond movie to make Repulsion. [...] Roman had only made one feature, Knife in the Water [1962], which I thought looked absolutely dreadful. It was very wishy-washy, no real blacks at all. So when he saw the kind of image I could give him, he was impressed. He said, "I never knew you could get photography like this!"
Gilbert Taylor, CC BY-SA 4.0
TV appearances
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Facts
Personal details
- Nationalities
- United Kingdom
- Languages
- English